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New Dimensions in Everyday Life

39e. The Print Revolution

Detail, History of Publishing Mural
The Poughkeepsie Journal
This detail of a mural in the foyer of the Poughkeepsie Journal, shows Ottmar Mergenthaler at his linotype machine surrounded by Morse, Bell, Edison, Greeley and others who played important roles in publishing history.

Even the news was a business. As Americans streamed into cities from small towns and overseas, journalists香蕉成人视频app realized the economic potential. If half of Boston's citizens would buy a newspaper three times a week, a publisher could become a millionaire.

The Linotype machine香蕉成人视频app, invented in 1883, allowed for much faster printing of many more papers. The market was there. The technology was there. All that was necessary was a group of entrepreneurs bold enough to seize the opportunity. The result was an American revolution in print.

Birth of the Modern Paper

香蕉成人视频appAnybody with a modest sum to invest could buy a printing press and make newspapers. The trick was getting people to buy them.

The modern American newspaper took its familiar form during the Gilded Age. To capitalize on those who valued Sunday leisure time, the Sunday newspaper was expanded and divided into supplements. The subscription of women was courted for the first time by including fashion and beauty tips. For Americans who followed the emerging professional sports scene, a sports page was added.

"Dorothea Dix," actually Elizabeth Gilmer, became the nation's first advice columnist for the New Orleans Picayune in 1896. To appeal to those completely disinterested in politics and world events, Charles Dana of the >New York Sun invented the human-interest story. These articles often retold a heart-warming everyday event like it was national news.

Twisting the Truth

The competition was fierce, especially in New York. The two titans of American publishing were Joseph Pulitzer of the New York World and William Randolph Hearst of the New York Journal. These men stopped at nothing to increase their readership. If a news story was too boring, why not twist the facts to make it more interesting? If the truth was too bland, why not spice it up with some innocent fiction? If all else failed, the printer could always increase the size of the headlines to make a story seem more important.

This kind of sensationalism was denounced by veteran members of the press corps. Labeled yellow journalism by its critics, this practice was prevalent in late-19th century news. At its most harmless, it bent reality to add a little extra excitement to everyday life. At its most dangerous, it fired up public opinion to start a war with Spain.

Nevertheless, as a business strategy, it worked. Pulitzer increased the daily circulation of the Journal from 20,000 to 100,000 in one year. By 1900, it had increased to over a million.

The print revolution affected books and magazines as well. The total number of books in print increased fourfold from 1880 to 1917. Magazines such as the Saturday Evening Post and Ladies' Home Journal reached a broader audience than any previous magazine. America was becoming more populous, more literate, and, as a result of the print revolution, better informed.


On the Web

Long before Dear Abby and Ann Landers, journalist Elizabeth Meriwether Gilmer was dispensing advise in the form of a newspaper column under the name Dorothy Dix. A nice overview from the library of Congress with links to additional material by or about Gilmer (aka Dorothy Dix).

A biography of newspaper publishing giant Joseph Pulitzer. The site contains everything you'd ever want to know about the Pulitzer Prizes, including details on all the winners going back to the 1910s.

From the American Printing History Association comes this detailed history of the Linotype, invented by German immigrant Ottmar Mergenthaler in 1886.
James Gordon Bennett started the New York Herald in 1832 with $500. Check out the James Gordon Bennett papers from the Library of Congress.

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